Sabtu, 10 Desember 2011

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Dynamics among Nations: The Evolution of Legitimacy and Development in Modern States (MIT Press), by Hilton L. Root

Liberal internationalism has been the West's foreign policy agenda since the Cold War, and the West has long occupied the top rung of a hierarchical system. In this book, Hilton Root argues that international relations, like other complex ecosystems, exists in a constantly shifting landscape, in which hierarchical structures are giving way to systems of networked interdependence, changing every facet of global interaction. Accordingly, policymakers will need a new way to understand the process of change. Root suggests that the science of complex systems offers an analytical framework to explain the unforeseen development failures, governance trends, and alliance shifts in today's global political economy.

Root examines both the networked systems that make up modern states and the larger, interdependent landscapes they share. Using systems analysis -- in which institutional change and economic development are understood as self-organizing complexities -- he offers an alternative view of institutional resilience and persistence. From this perspective, Root considers the divergence of East and West; the emergence of the European state, its contrast with the rise of China, and the network properties of their respective innovation systems; the trajectory of democracy in developing regions; and the systemic impact of China on the liberal world order. Complexity science, Root argues, will not explain historical change processes with algorithmic precision, but it may offer explanations that match the messy richness of those processes.

  • Sales Rank: #1182476 in Books
  • Brand: Brand: The MIT Press
  • Published on: 2013-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .69" w x 6.00" l, 1.35 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

Review

Hilton Root examines international relations from the perspective of complexity theory, the science of the twenty-first century. His analysis will compel a complete re-thinking of the current dominant narrative on globalization, with its assumption of convergence to Western liberal values. A very original, well-written, and highly thought-provoking book.

(Paul Ormerod, Partner, Volterra Partners)

A creative and sophisticated treatment of the dynamics of global change. By fleshing out the notion of a 'networked global society,' Root at once makes an important theoretical contribution and advances our understanding of the interdependent--yet decentralized--world that lies ahead.

(Charles A. Kupchan, Georgetown University and Council on Foreign Relations, Author of No One's World)

As China gets richer, why is it not becoming more like the West? Because, says Hilton Root in this outstanding new book, development does not work the way that most social scientists think. Borrowing the tools that natural scientists use to explain evolution and complex systems, Dynamics among Nations reveals the hidden logic behind global economics, governance, and security. Everyone who wants to understand how our world is changing should read this compelling book.

(Ian Morris, author of Why the West Rules--For Now)

About the Author

Hilton L. Root, an expert on international political economy and development, is Professor at the George Mason University School of Public Policy. He is the author of Alliance Curse: How the U.S. Lost the Third World, Capital and Collusion: Political Logic of Global Economic Development, and other books.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Complexity thinking that shifts the paradigms of international relations
By J. P. Massing
In ‘Dynamics Among Nations’, Professor Hilton Root convincingly challenges the propositions of the liberal international consensus and re-frames the prevailing conceptualisation of development by introducing complexity thinking to the fields of political economy and international relations.

I highly recommend this intellectually stimulating and excellently written book to decision makers, researchers and students – as well as to anyone who is interested in gaining an advanced and well-informed understanding of the complex realities of development and global policy.

Root reflects upon the role of liberal internationalism, which – since the end of the Cold War – has become the authoritative doctrine of the triumphant West’s activist foreign policy agenda prescribing ‘the rules of legitimate economic and political order’ (p. 4). Development is commonly understood in terms of modernisation theory, presuming capitalism and democracy to be a mutually reinforcing sequence of social change (p. 9).

Together, a liberal polity and an open economy are conventionally conceived of as ‘two great attractors’ that delineate a unidirectional and linear sequence of social change converging toward an equilibrated ‘global optimum’ (pp. 57, 58, 66). Accordingly, the institution of the free market is essentially seen to function as ‘the replicator of liberal values’ determining social order and making market democracy the inevitable and ultimate stage of development, as well as the prescriptive and ‘universally applicable institutional framework of good governance’ (pp. 36, 38,37, 54,75).

However, within the ‘increasingly interdependent and networked global society’ of the twenty-first century, Root sees the socioeconomic development sequence of liberal internationalism as essentially failing to account for the ‘interactive dynamics’ that shape the processes of ‘social change and economic development’ (pp. 9, 30). He refers to the unique development trajectory of Asia as just one example that refutes the idea of ‘democratic and economic convergence’ toward ‘global optimization’ (pp. 27, 57).

Complexity thinking conceives of development as an ‘emergent property’, an ‘evolutionary outcome’ of the interactions of interconnected and interdependent agents (pp. 19, 84). These interactions create internal dynamics that do not converge toward equilibrium (p. 18). Change becomes nonlinear, rather than being additive and proportional to the inputs as the institution-centric approach maintains (pp. 20, 92).

Development is ‘variety without directionality’, with outcomes emerging from the mutual interactions of continuously self-organising entities (pp. 58, 71). Not convergence – but coevolution is the key principle of change, resulting in ‘interacting dancing landscapes’ (p. 71). Coevolving actors adapt locally, rather than globally, searching to attain ‘local optima’ within distinct subsystems (pp. 41, 72). Root argues that, within ‘local fitness landscapes’, influential actors have the potential to critically transform their respective subsystem, affecting the development paths of their interconnected partners (pp. 72-73). This is illustrated by the rise of China which decisively impacts the global fitness landscapes by presenting an appealing ‘nonliberal variant of modernity’ and potentially undermining the reputedly universal standards of the ‘liberal consensus’ (pp. 5, 66, 73).

Root thus demonstrates that, due to global interdependence and interconnectivity, various strategies for survival ‘coexist and coevolve’ and that developing nations discover adaptive niches within the system that allow these countries to ‘specialize, innovate, and increase technological capacity without adopting Western norms’ (pp. 76, 84). Moreover, Root argues, the attempt to ‘transplant’ key institutions – predominantly elections and price-determined markets – in order to transform developing countries is doomed to failure: Due to the interdependence among the system’s coevolving components, the function of a single part depends upon the behaviours of the remaining components and can not be expected to remain the same if isolated and transplanted (p. 39).

The key insight of ‘Dynamics Among Nations’ is that development is not an additive or aggregate outcome but rather an ‘emergent quality’ arising from the interconnected behaviours of coevolving actors and resulting in unpredictable and nonlinear social change (pp. 20, 92). The survival strategies and development trajectories of coevolving countries – lacking a ‘global compass’ – are highly diverse as nations compete, adapt and struggle for survival ‘within a local context’ (pp. 45, 72, 83). There is no universal recipe for the complex realities of development.

1 of 1 people found the following review helpful.
This is a great example of effective communication by a leading academic reaching ...
By Dr Mark Pennington
In my view Hilton Root’s Dynamics among Nation, represents a path-breaking theoretical contribution to institutional economics. Drawing on the insights of complexity science Root shifts the focus of institutional analysis away from static, linear models towards an understanding of the dynamic, interdependencies that have shaped the political economy of development in both ancient and modern regimes.

Political economy analysis in its simpler conceptions assumes that actors are atomised individuals whose behaviour changes in response to shifting incentives; thus a change in one set of incentives is expected to lead to a linear change in collective behaviour. By contrast, Root reminds us that actors are social agents constantly interacting in networks where continuous feedback loops can lead to behavioural adaptations based on what other agents do or are expected to do. These local interactions lead to emergent properties that in turn give shape to larger systems that are also in a state of adaptive flux. Radical change is possible, but not simply by the exogenous introduction of new institutions. Information circulating locally within a small network can spread rapidly with cascading effects, as in the case of the Arab Spring. Even when change is abrupt it is, however, influenced by pre-existing structures; it exhibits observable patterns of orderliness but not predictability.

Dynamics Among Nations dispels the optimism that transplanting institutions is sufficient to direct a society’s trajectory in a desired direction. In the process it offers penetrating explanations for the emergence of the highly distinctive growth strategies in China, Brazil, India and Russia which diverge from the menu of recommendations typically proposed by international organisations and Western governments. Concepts such as networks, emergence and interdependency are explained with clarity and then extended to present a vivid account of the contemporary international political economy.

The book offers new perspectives to understand the evolutionary dynamics of change in complex systems and opens a new methodological space for economists to conduct research about the sources of variation across national political economies. It is eloquently written emphasising its message with clear language and compelling examples from a wide range of historical and contemporary cases. This is a great example of effective communication by a leading academic reaching out to a wider audience without compromising commitment to the scientific method.

Among the many new books on emerging economies, very few make as important a contribution to our understanding of institutional change as Dynamics among Nations. Hilton Root has taken the Northian agenda forward, building a bridge between institutional economics and contemporary complexity science in a manner that deserves to be pondered by all with an interest in this field.

Professor Mark Pennington
Department of Political Economy
King’s College, University of London

0 of 0 people found the following review helpful.
Introduction of Complexity Theory into Field of International Relations Enlightening
By James C Henderson Jr
Root offers the reader a unique take on an oft-discussed subject in international affairs circles: the global policy implications of the imminent decline of the West. By introducing the concept of thinking of international relations as a complex adaptive system, Root grounds his vision for how nations develop and interact in the terminology of the complexity sciences and complex systems theory.

This allows the reader to draw from a different perspective than the typical liberal internationalism-based approach favored by most academics, particularly in the immediate aftermath of the Cold War. Root’s analysis allows one to think of nations and their international relationships as ever-evolving, codependent and intertwined, rather than linear and bipolar.

By thinking about international relations as a diverse ecosystem, like a rainforest, it becomes easier to grasp the sheer magnitude of inputs that create and influence the modern global system. It also helps explain how one seemingly isolated incident – say, perhaps, the assassination of a random Central European archduke – can have a lasting impact on global affairs.

At its core, Dynamics among Nations tackles the assertion of modernity theorists that liberal internationalism provides the ultimate blueprint for building a modern state, and that liberal democracy, while it can be suppressed for a time, will ultimately prevail as the final governing system for all nations. By introducing complexity, Root creates an alternative, but still rational, picture of how the ever-changing world will evolve in the absence of a dominant administrator for the global system.

Root begins by introducing the theory of complexity and its application to international relations. He takes on contemporary scholars like Daron Acemoglu and Douglass North and challenges their believe that democracy and open markets are intrinsically compatible and, furthermore, are self-fulfilling in that one eventually leads to the other.

Root then addresses the many holes in modernization theory as it applied to today’s world, including the notion that economic growth and democracy are mutually reinforcing. In describing the study of economics, he offers some insight into his argument that, rather than being based on simplified models and fixed agents, “an economy both a part of a complex system and a complex system in its own right, producing outcomes at other levels” (p.53). From here, Root explains why institutional developers are incorrect in asserting that building the correct institutions are crucial to economic development.

Indeed, later in the book Root makes a strong case to completely refute institutionalism theory as a whole with his case study of Sri Lanka: a country of many Western-educated elites and in which existed most of the “right” institutions at the time of its independence. Rather than move along the linear developmental path towards liberal democracy, Sri Lanka instead has moved in the direction of its autocratic neighbor, China.

The Sri Lanka example also illustrates Root’s analysis of the fitness landscapes of nations, and how a local landscape, usually a short-term concern, can oftentimes supersede a more strategic global one. The more “rugged” one’s fitness landscape, the more challenging it becomes to influence from afar the trajectory of a developing economy, due to the fact that economies in “rugged” landscapes cannot see past their more immediate concerns, often due to initial starting conditions.

Root convincingly offers logical reasoning for why some countries do not conform to the liberal internationalist model of democracy despite enjoying many of the advantages of a market-based economy and interconnectedness with the global economy. By clearly laying out the diverse examples of China, India and those of the great European powers, Root establishes his premise that no two countries have the exact same starting conditions, leading to what biologists call bifurcation – the idea that small variations in initial starting conditions eventually lead to large variations over time.

Having established a foundation for why the world mutated over the centuries as a result in variations caused by differing fitness landscapes, Root turns his attention to prognostication: based on the individual histories and interconnected complexity of the modern global economy, what will the new global order look like?

Here, Root again draws on the Sri Lanka example of how liberal internationalism is being undermined by successful autocratic regimes, in particular China. According to liberal internationalism and its cousin new institutional economics, countries can be coerced into “good” international behavior by rewarding said behavior with financial assistance. When an agent like China enters the picture and offers aid with no strings attached, it completely undermines the incentive for good governance and offers an alternative to the Western developmental model.

According to Root, the emerging global order will be “multidirectional, as partners large and small grow more dependent on one another for their own progress and stability” (p.220). In this scenario, nations are constantly receiving feedback loops from other nations, creating a world where there is a constant ebb-and-flow of actions and adjustments by both ally and adversary alike.

Root’s take on the limitations of liberal internationalism theory was illuminating in that he offers a scientific method by which human understanding can begin to grasp international relations under complexity theory. While he acknowledges that this method may very well prove to be beyond human understanding, at least he offers a rational and feasible means by which to explain the ends. The power of algorithms in decoding many of the world’s mysteries has led to great leaps of scientific discovery, and, likewise, offers the hope of making sense of the complex system of international relations.

I believe that we are indeed moving towards a world where there is “no captain at the helm.” But as nations continue to coevolve and learn from each other’s mistakes, the modern age of prosperity need not wilt under the pressures of great clashes of civilization (Huntington 1996) or one where democracy is completely marginalized. In order to prevent this scenario, the West must ensure that its economies, militaries and societies continue to develop in a manner that does not shut out the new entrants to prosperity but rather coopts them into the mutually beneficial interdependent system.

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Rabu, 07 Desember 2011

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Re:ZERO, Vol. 1: -Starting Life in Another World  - light novel (Re:ZERO -Starting Life in Another World-), by Tappei Nagatsuki

Subaru Natsuki was just trying to get to the convenience store but wound up summoned to another world. He encounters the usual things--life-threatening situations, silver haired beauties, cat fairies--you know, normal stuff. All that would be bad enough, but he's also gained the most inconvenient magical ability of all--time travel, but he's got to die to use it. How do you repay someone who saved your life when all you can do is die?

  • Sales Rank: #13932 in Books
  • Published on: 2016-07-19
  • Released on: 2016-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .75" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 240 pages

About the Author
Tappei Nagatsuki is the author of the light novel series RE:Zero.

Most helpful customer reviews

19 of 19 people found the following review helpful.
A revolutionary, humorous, loving, heartbreaking tragedy filled fantasy novel that everyone should give a chance.
By C11Link
Re:ZERO is a Fantasy/Mystery novel, with light-heartened humor and love separated by violence and tragedy. It is one of the best and most original stories I've ever read. Far too often I feel stories are adhering to predictable stories and characters, almost as if they are written to be shallow and easy to digest at the cost of anything truly memorable.

Re:ZERO is a brilliantly unpredictable. Each character is memorable and unique. The depth of their personalities, emotions, how they think, who they are, and their own histories are so meticulously crafted that even minor characters become unforgettable.

The complexity of the characters is matched by the plot itself, leading the reader into a false sense of security, or tricking them into believing they can predict outcomes of encounters.

For each mystery solved in Re:ZERO, two more often take its place. This builds suspense that engrosses and carries the reader forward from each chapter to the next.

Don't let the art fool you. This is a complicated, violent, mystery fantasy novel. Yes, it was written in Japan, and yes the cover art is unlike most novels sold in in English speaking countries, but don't let what's unfamiliar to you stop you from giving this novel a chance. Treat this book as you would any famous American made series.

Don't judge the outside of this book or its origins until you've given it a chance. You won't regret it.

One last thing. As I said above, this novel is humorous, loving, and funny, but it is also very violent, and as the summary says, 'How do you repay someone who saves your life if all you can do is die,' be prepared for many cruel, heartbreaking moments in this story. The depth of characters makes the tragedies that much more meaningful, but you'll be happy you got to know them, even though they're only words in a book.

38 of 41 people found the following review helpful.
Wonderful story. Mediocre adaptation.
By TD
I'm both a huge fan of this series and a lifelong reader. I was excited for this novel, which promised another opportunity to enter the world of Re:Zero and experience a different, more detailed angle.

Re:Zero is definitely one of the more worthwhile stories to come out in recent years. It's dark and complex (though you only get relatively small taste of those elements in this volume) and extremely well-paced. It receives full marks for the beauty and intensity of its characters and plot. It's a five-star story.

However, I would give Yen Press's adaptation in particular two and a half stars, if I could. It's just serviceable, and sometimes not even that. I also read the Spice and Wolf light novels years ago, and I was hoping that Yen's ability to adapt and translate would have improved since then. Unfortunately, this seems not to be the case.

The adaptation of Spice and Wolf was stilted and uninspired. The translation was adequate but dull; it felt like a very literal transliteration of the Japanese text as opposed to an adaptation for the ease and enjoyment of reading for native English speakers. Probably the best example of this is in the dialogue, for it is at times difficult to tell which character is speaking in a conversation due to a lack of cues. I imagine this isn't a problem in the original Japanese because of nuances in diction and dialect that can't be retained in translation.

Unfortunately, this volume of Re:Zero has all of these problems, except even worse, and more. The translation feels even more literal and awkward, I'm definitely confused more often about who is speaking in dialogue, and now, to compound the issue, there are plenty of grammatical, usage, and syntax errors. It feels very much like what I might expect from a relatively decent fan translation, but not something I would expect to pay for.

I'm happy to have supported the franchise, and enjoyed the book for the second look I got at the story. I might even buy the second light novel once it comes out, but now that I've seen the quality of Yen Press's translation, that has gone from a resounding certainty to a troubled maybe.

1 of 1 people found the following review helpful.
Great Story, Lousy translation
By Farmer Mark
As another person said in their review, the story was great, the translation was however, not.
I'm not going to go into the story, there are plenty of other reviews here that do, I would definitely suggest to pick it up.

However with the translation, there are some points where sentences are formed correctly and you have to figure out what's going on by paying attention to see what was actually meant. There was a point or two where the wrong pronoun was used, it was also difficult to tell who was speaking and I would find myself rereading the page to determine who it would sound most like in context. Another point in the story, they even placed the wrong chapter name(this happens closer to the end when Subaru passes by Elsa, and a page later it said after he passed satella). I couldn't help but laugh and shake my head at the mistake. So make sure you pay attention and don't get too confused. The story is to die for, but the adaptation is terrible, hopefully we will get a better one with the second Ln, or maybe there is a good translation of the wn out there.

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Jumat, 02 Desember 2011

[Z513.Ebook] Get Free Ebook Science and Engineering Mathematics with the HP 49 G - Volume 1 (Gu), by Gilbert Urroz

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Science and Engineering Mathematics with the HP 49 G - Volume 1 (Gu), by Gilbert Urroz

This is the book you need to master science and engineering mathematics with the HP 49 G calculator. Volume 1 includes: basic calculator operation, real and complex numbers, lists, functions and programs, vectors, matrices and linear algebra, graphics, and solution to equations. Each chapter concludes with applications to science and engineering problems.

  • Sales Rank: #2809125 in Books
  • Published on: 2001-04-24
  • Released on: 2001-04-24
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .54" w x 6.81" l, 2.00 pounds
  • Binding: Paperback
  • 237 pages

About the Author
Gilberto E. Urroz is an Associate Professor of Civil and EnvironmentalEngineering and a researcher at the Utah Water Research Laboratory, both at Utah State University, in Logan, Utah. He has been a teacher of engineering disciplines for more than 15 years both in his native Nicaragua and in the United States. His teaching experience includes courses on introductory physics, engineering mechanics, probability and statistics for engineers, computer programming, fluid mechanics, hydraulics, and numerical methods. His research interests include mathematical and numerical modeling of fluid systems, hydraulic structures, and erosion control applications. Dr. Urroz is an expert on the HP 48 G and HP 49 G series calculator, and on specialized mathematical software such as Maple and SCILAB. He has written several books on applications of these computing devices and software to disciplines such as engineering mechanics, hydraulics, and science and engineering mathematics

Most helpful customer reviews

3 of 3 people found the following review helpful.
A great training resource for advanced HP 49g or HP 50g users
By SeekingTraveler
This book (Volume 1 of a two-volume set by Gilberto Urroz) provides step-by-step instructions for operating the Hewlett Packard HP 49g calculator. The HP 50g calculator is nearly identical to the HP 49g, so the Urroz books are also applicable to the HP 50g.

I own both Volume 1 and Volume 2 (I also own an HP 49g and an HP 50g). Volume 1 covers basic calculator operations and high-school-level math. Volume 2 covers uni- and multi-variable calculus, ordinary and partial differential equations, and statistics.

These are excellent books. I highly recommend them. They are not slick, professional productions: they originated as class notes created by a university professor to teach the calculator to college engineering students.

Based on what a student can learn from these books, they deserve a five star rating. I was tempted to subtract one star for the many typographical and editorial errors, as well as for the teeny-tiny (eye-straining) font. If you can forgive these issues, these books should be of great help to you in learning about the advanced capabilities of the HP 49g or the HP 50g. These books cover the underlying math, as well as calculator operations.

Also check out the instructional video for the HP 50g produced by MathTutorDVD: The HP 50g Calculator Tutor (Hewlett Packard). If you are a new user, then these video lessons will be much more effective in teaching you the most useful operations and functions of the calculators. The Urroz books are really for advanced users, or folks who aspire to be advance users. The Urroz books cover the math and calculator operations in much greater depth than the MathTutorDVD product; but the books are also considerably more challenging.

These books assume the calculator is in RPN mode. If you don't know what RPN mode is, then do a little web research. If you want to use Algebraic mode, then don't buy this course, and don't buy the HP 50g (get a Texas Instruments calculator instead). If you are going to be a math, science, or engineering major, then switch to RPN mode today.

In the early days, Hewlett Packard would include wonderful instruction manuals with their calculators. Although HP does not provide a training manual for the HP 50g, they do have three documents for the HP 50g: (1) a 184 page "User's Manual," and (2) an 887 page "User's Guide," and (3) a 693 page "Advanced User's Reference Manual." You can download all three of these from the Hewlett Packard (HP) website.

Can you learn how to use your HP 49g or HP 50g without buying the Urroz books? Well, of course you could. But, if you have the cash to buy them, studying the Urroz books (and seriously practicing the covered calculator operations) will save you a lot of time and frustration (and will make other HP users jealous and amazed of your impressive calculator prowess).

If, in these tough economic times, your cash is too dear to spend on more books, then try: (1) reading through the three HP manuals; (2) looking at the HP 49g or HP 50g tutorial videos on you tube; and (3) searching for HP 49g or HP 50g tutorials online. For example, search university websites (*.edu) for HP 49g or HP 50g tutorials (e.g., Thiel college). On you tube, one fellow in particular has posted a series of great videos for the HP 50g.

But keep in mind, the HP manuals no longer provide detailed explanations and well-ordered, step-by-step examples. That is why I find these Urroz books so helpful: they provide the examples and the step-by-step instructions that HP manuals no longer provide. If you can't afford them, maybe you can get your library or department at school to buy them.

Volume 1 covers pre-calculus math, graphics, linear algebra, and basic programming. Here is the table of contents: Introduction; the keyboard (which you could also find in Appendix B of the HP 50g "User's Guide"); basic calculator operation; calculations with real numbers; calculations with complex numbers; lists, functions, and programs; programming basics; algebra and related subjects; vectors; matrices and linear algebra; graphics; and solutions to equations.

Volume 2 (sold separately Science and Engineering Mathematics with the HP 49 G - Volume II - Calculus, differential equations, statistics) covers calculus and statistics. Here is the table of contents: calculus 2; multivariate and vector calculus; differential equations; partial differential equations and Fourier transforms; statistical applications.

16 of 17 people found the following review helpful.
A great manual for beginners like me
By John Harllee
This book's author clearly loves and respects HP graphing calculators. The book has what the hard copy manual and online documentation should have but don't: explanations that start at the beginning, which was important for me, because I have never before used a graphing calculator. I suspect the people who wrote the HP material assumed their audience consisted solely of people with some relevant experience. The reviewer who claims that you can find 99% of this material on HP's website is exaggerating, but even if he were strictly accurate, it wouldn't matter. The author provides the sentences that make everything clear.

The author uses RPN mode rather than the usual algebraic mode. The RPN mode is fine with me, but might be a problem for someone not used to it. I am using an HP 50g, which has some differences from the HP 49g, but not enough to damage the usefulness of this book. The book has a few typos, but no more than the first edition of any book of this kind. My only real complaint is that the binding is too cheap for a book that will regularly be propped open so that you can read it while you have your hands on the keyboard.

If you are a beginner with graphing calculators, I highly recommend this book. No one could reasonably ask for better. If you are an experienced user, maybe not. HP's online material may be enough.

3 of 3 people found the following review helpful.
OK
By Stinkfoot
Useful guide that is well organized, indexed and clearly written - clearly the best documentation out there for the high end HP's. But be prepared to work in RPL/RPN - the book doesn't deal with Alg mode at all.

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Kamis, 01 Desember 2011

[Z815.Ebook] Free PDF Xenophon: Symposium (Aris and Phillips Classical Texts), by Xenophon: Symposium

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Xenophon: Symposium (Aris and Phillips Classical Texts), by Xenophon: Symposium

This Symposium has lived so much in the shadow of the famous one by Plato, that it has not received a full commentary in English for well over a hundred years. Yet it gives the only alternative view of Socrates and has a wit and vigour of its own which paints a picture of a Greek society that makes it a document of prime historical importance.

  • Sales Rank: #5970475 in Books
  • Brand: Brand: Aris Phillips
  • Published on: 1998-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .52" h x 7.13" w x 8.50" l, .94 pounds
  • Binding: Hardcover
  • 160 pages
Features
  • Used Book in Good Condition

Language Notes
Text: English, Greek (translation)
Original Language: Greek

About the Author
A.J. Bowen is currently teaching classics at Cambridge University having taught at Shrewsbury School for over twenty years. He is the author of several books on classical subjects including Plutarch's The Malice of Herodotus in this series.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Review of Bowen's Symposium
By Ryan Mease
Bowen offers a great edition of the Greek text designed for intermediate readers at a new-to-prose pace. His text is covered in helpful contextual as well as grammatical and vocabulary notes. His introduction succeeds at setting up the social and historical context of this work, and offers a short comparison with Plato's more famous counterpart.

I have one complain--this entire series has the horrible habit of printing in courier font. I find it hideous.

2 of 4 people found the following review helpful.
Sociologically interesting
By Luc REYNAERT
This is a more naturalistic version of Plato's Symposium, invented by Xenophon.

The ingredients are a copious meal and a drinking bout 'adorned' by a female acrobat. It all ends with a highly stimulating performance of the 'Dionysos and Ariadne' dance: 'Those who were not married swore that they would do it soon. Those who were, mounted on their horses and stormed home to enjoy their wives.'

The discussions don't attain far and away the philosophical heights of Plato. They centre on perfume, dance, wine and courage. The participants are also asked of which feature they are most proud. The answers vary from wealth, poverty, beauty, friendship, literature and justice.

Socrates explains his preference for spiritual love which never dies, whereas physical love passes away.

This symposium is sociologically interesting because it gives a fair impression of the daily life of Greek citizens.

Not a masterpiece.

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Rabu, 30 November 2011

[I793.Ebook] PDF Download Crafty Screenwriting: Writing Movies That Get Made, by Alex Epstein

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Crafty Screenwriting: Writing Movies That Get Made, by Alex Epstein

The most innovative and creative screenwriting book yet, from an author who knows first-hand what it takes to get a movie made.

Based on an award-winning website hailed as "smart enough for professional screenwriters and accessible enough for aspiring screenwriters", Crafty Screenwriting is the first book not only to offer a successful screenwriter's tricks of the trade, but to explain what development executives really mean when they complain that the "dialogue is flat," or "the hero isn't likeable." Fresh, provocative, and funny, Alex Epstein diagnoses problem that other screenwriting books barely address, and answers questions they rarely ask, like "Why is it sometimes dangerous to know your characters too well before you start writing," or "Why does your script have to be so much better than the awful pictures that get made every day?" As a development executive who has accepted and rejected countless screenplays, and a produced screenwriter himself, Epstein can take you into the heart of the most important question of all: "Is this a movie?" A crucial book for anyone who has ever wondered what it takes to get their movie made.

  • Sales Rank: #846011 in Books
  • Published on: 2002-10-08
  • Released on: 2002-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .65" w x 5.50" l, 1.30 pounds
  • Binding: Paperback
  • 288 pages

Review
“Alex Epstein brings a screenwriting pro's honesty, skill, and expertise to a field otherwise crowded with how-to-write quacks.” ―John Badham, director of Saturday Night Fever

About the Author

Alex Epstein has worked as a development executive, screenwriter, and television story editor for more than a decade. He has helped develop projects with directors such as Richard Attenborough and John Badham. A graduate of Yale University and the UCLA School of Film and Television, he is the creator of the popular website www.craftyscreenwriting.com.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

HOOK

What’s a screenplay? Good question. After all, if you’re going to write one, you ought to know the answer. Right?

You probably already know an answer. A screenplay is writing intended to be turned into film. It’s a hundred-odd pages held together by brass brads, in which you have written down whatever you want the audience to see and hear in your movie.

If it gets made, the director will come up with a whole new vision, the actors will change your dialogue, the editor will concoct another way to order the scenes, and it won’t be "your movie" any more. That’s okay. A screenplay is not a complete work. It is not intended to be appreciated on its own. If a movie were a building, a screenplay would be the blueprint. Nobody settles down in front of a roaring fire with her beloved, a bottle of Chianti, and a nice blueprint. Nobody takes a couple of good screenplays out to the beach — outside of show business, anyway.

That means there is no point writing a screenplay if it isn’t going to get produced.

We all know that, somewhere in the back of our minds, but most of the thousands of screenplays I’ve read in ten years as a development executive were never in any danger of being made into a movie. From the moment the writer conceived them, they were doomed. They may have been well-crafted or poorly crafted, but they were all missing what they needed in order to get made.

This book is about writing movies that get made. Not just popular movies. Art films get made, too. Writing a screenplay that will make a brilliant movie is a good part of writing a movie that will get made, and that’s what most of this book is about. But that’s not all of it. So it’s important to understand what else a screenplay is, if you’re going to go to all the trouble of writing one, because if you don’t, the odds are you’re wasting your time.

Most helpful customer reviews

15 of 15 people found the following review helpful.
The Business of the Craft
By Ars Gratia Artis
It's show business, folks. And in Alex Epstein's book, "Crafty Screenwriting" the emphasis is on the word "business". As someone who has been a development executive, Epstein reminds writers of the bigger picture: a screenplay is just one element in a deal. The screenplay doesn't get made until other elements come together in a package that includes a producer, a director and the star and serious money. He urges the aspiring screenwriter to write his story with the goal of making it an effective selling tool, a catalyst to getting a deal done. Otherwise the chances of the script actually seeing the projector light in the darkness of a movie theater are slim to none.

And how to make the script an effective sales tool? First, says Epstein, it needs a great hook. A hook is the concept of the story in a nutshell that grabs attention and makes people want to know how it turns out. The marketing people come up with hooks called taglines to grab your attention when a movie is released. You need to come up with a hook to grab the attention of a Hollywood player to get the movie made.

Quite bluntly, Epstein says, "If your story does not have a hook, you are probably wasting your time writing the screenplay."

So, how to come up with a hook? Epstein offers some suggestions, but like everything else in the creative process, there is no sure-fire formula. After the hook he discusses the title - "Your title is the most important phrase in your entire script", the pitch, the query letter. At the end of the book is a chapter on getting an agent, getting copyright protetion for your work plus two appendices, one a sample option deal, the other a sample of screenplay pages properly formatted.

The bulk of the book is devoted to discussing the nuts and bolts of writing: plot, characters, action, dialogue, etc. Along the way he tilts at a few windmills: one section is titled "The Myth of the Three-Act Structure."

Does Epstein have any new gems of insight about them that haven't been revealed in a dozen other books? Not really, but if I had to recommend books on the particular topics of character, action and dialogue, this book would make my short list. Because he discusses the tried and true clearly and succintly with occasional twists of thought and turns of phrase that cast the tried and true in a new light in this reader's mind. And throughout his discussion, he never loses sight of the goal: punching up the script to make it a more marketable property. As the subtitle of the book says: "Writing Movies That Get Made" -- not just written.

If you're interested in writing scripts as vessels in which to pour your heart, your soul, your unappreciated genius, the ultimate truth of being that only you comprehend -- this book isn't for you. But if you subscribe to the notion that screenwriting is a business as well as a craft, then this is a book you will profit from.

12 of 13 people found the following review helpful.
Simply put - I'm glad I bought this book.
By Yeah
I'm completely new to the "craft" of screenwriting, and I think there's nothing wrong with a book that starts at square one for people like me. I think the book is well-written, and it seems to have been carefully proofread and edited (you'd be surprised by the mistakes I've found in other books). I like how Epstein talks about both the business side of writing and selling screenplays as well as the actual skills and strategies you need to write them. I need to know about both. He makes his points clearly and concisely - he doesn't use five pages to say something that can be said on one page. Makes for a quicker read, without sacrificing information.

Specifically, Epstein covers these topics:

1. Coming up with a "Hook," an exciting idea that can grab the attention of both show business people and audiences.

2. Working out your Plot.

3. Developing your Characters.

4. Writing Action into your scenes.

5. Crafting appropriate screenplay Dialogue.

6. Understanding different movie Genres.

7. Getting writing Help as you learn to improve your scripts.

8. Rewriting and rewriting until you get a great script.

9. Getting your script made into a movie by working with agents, development execs, producers, and the general business of Hollywood.

I read a criticism on one of the previous reviews that pretty much disparages Epstein for only having one writing credit in movies. I don't know what that person's copy of Crafty Screenwriting says, but the cover of my copy reads, "A development executive's real-world approach..." In other words, Epstein never claims you should listen to him because he's a super-accomplished writer with many credits. But he is a development executive. And it's very important to know how development executives think and what they want to see in screenplays. So I think his opinion is valuable.

When I first decided to pursue screenwriting, I thought I had the right idea of how I should proceed and how show business worked. Turns out I was wrong on both counts! If you're just starting out, and you want to know the basics of the business of movie development and the foundations of screenwriting theory, I absolutely recommend this book. But get some highlighters! There's a lot to learn!

7 of 8 people found the following review helpful.
Wish I'd had this book in film school
By A Customer
Finally, a book about screenwriting that isn't drudgery to read. When I was a film student, the screenwriting books I was assigned made the whole process seem more arcane than French grammar. Epstein's book is about how to tell stories that people will want to see on the screen, and reading it is like talking to a very smart, funny person.
He's absolutely right about how scripts need to have a hook to get made, and he explains for the uninitiated how those occasional movies without hooks actually got made (by being a bestselling novels first, being the pet project of a movie star, etc.)
Buy this book. It's a fun read, and it will help you figure out what's wrong with your screenplay (and will save you endless hours of frustration if your hook-less story is doomed to be unproducable).

See all 57 customer reviews...

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Sabtu, 26 November 2011

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Stupid Girl (New Adult Romance) (Stupid in Love Book 1), by Cindy Miles

After you've fallen in love with STUPID GIRL's Brax and Olivia, get another dose of the Stupid in Love series. STUPID BOY is out now!


"Stupid Girl is the single best new adult novel that I have read to date. Make sure your e-reader is charged, because once you start, you won't be able to stop."
- NYT and USA TODAY bestselling author Lauren Hawkeye

Only fools fall in love...

After her senior year of high school leaves behind nothing but heartache, Olivia Beaumont is sure of this: She's no stupid girl. She sets out for Winston University, promising herself that she will remain focused on her first and only love - astronomy. But all it takes is cocky sophomore Brax Jenkins and an accidental collision with a football, to throw her entire year off course.

A quick-tempered Southie who escaped the inner city streets of Boston to pitch for Winston, Brax is known to play way more fields than just the baseball diamond. So, when his name is drawn to take part in his fraternity's hazing dare, Brax eagerly accepts the mission to take Olivia's virginity. But he doesn't plan on falling hard for the sweet and sassy Texas girl who sees right through his bad-boy persona.

As Olivia and Brax battle their feelings for each other, echoes of the past year begin to surface. A boy who once turned Olivia's whole world upside down reappears, and "harmless" pranks wreak havoc. Pretty soon the aspiring astronomer is on the verge of revealing her most difficult, heartbreaking secret. All the while, Brax must wrestle with the irrevocable dare, and Olivia struggles against all logic as she does the one thing only a stupid girl would do: fall in love.

"A raw, beautiful, poignant story about pain, heartache and first love. I couldn't put it down."
- Carly Phillips, NYT bestselling author

"A brilliant story full of angst, pain, love and loss, Stupid Girl has it all."
- NYT and USA TODAY bestselling author Cathryn Fox

  • Sales Rank: #55625 in eBooks
  • Published on: 2014-05-13
  • Released on: 2014-05-13
  • Format: Kindle eBook

Review
Praise for STUPID GIRL:

"This book had me hooked from page one."
- Nahomi, Books and Swoons

"Stupid Girl brings out all the feels. It is an emotionalnew adult creation that I absolutely adored!"
- Jena, Shortie Says

"I am completely 'Stupid' over it!"
- VampedChik, Carpe_Diem

"This plot twist was genius and raised this book to a five stars forme."
- Megan Williams, WOrkS of FiCTioN

"Their love was so contagious, I can feel it even afterclosing the book."
- EllaJanine, The Filipina Booknote

"Brax is one book boyfriend you don't want to miss out on!"
- EmilyBradley-Dorman, The YA's Nightstand

"From page one it grabbed my attention and didn't let go."
- Julie, Book Gossip

About the Author
National bestselling author Cindy Miles writes edgy romance,ranging from contemporary love stories to sexy paranormals. A native ofsouthern coastal Georgia, she loves reading (naturally), baking swoon-worthydesserts, traveling abroad, yoga, and classic rock. The cover for her debut NewAdult romance, STUPID GIRL, was featured on USA Today's Happily Ever Afterblog. In the novel, a volatile mix of bad boys, sassy smart girls, darksecrets, and red-hot romance add up to one wild ride through college. Thesecond book in her Stupid in Love series, STUPID BOY, features a wickedlyhandsome law-breaker who falls for a beautiful, straight-A college student withan ugly past of her own.

Hang out with Cindy on her Facebook fan page at:facebook.com/officialcindymilesfanpage
Or check out her website: cindy-miles.com/

Most helpful customer reviews

2 of 2 people found the following review helpful.
Olivia and her boy project
By Dorothy
Olivia leaves her family's horse ranch and drives her farm truck three hours away, to college. She plans to spend freshman year keeping her eyes on her schoolwork and her job at the observatory and off boys. Even the best-laid plans with the best intentions are no match for fate, however. She meets sophomore pitching phenom Brax within her first steps on campus, and from then on the boy from south Boston is part of her first semester experience. This is a fun book and the writing, with a few typos and word selection quirks (early on her interest in the observatory is called 'astrology'), goes down smooth. Always fun to read about life in Texas.

0 of 0 people found the following review helpful.
That said it was pretty predictable, too
By NatashaMay
Not an original story. I felt I already read it just with different character names. That said it was pretty predictable, too. What bothered me the most is all the physical fighting done by Braxton and destruction of Olivia’s car was without legal consequence. How come nobody went to the police?

0 of 0 people found the following review helpful.
Definitely a Keeper
By BLB
The title almost kept me from buying this book. So glad I got to know this stupid girl. Loved the story line. The author captured and kept my attention. I even told my daughter about this great book I was reading!!!

See all 254 customer reviews...

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Senin, 21 November 2011

[P943.Ebook] Download PDF COUNTRY HITS - VIOLIN PLAY-ALONG VOLUME 9 (BK/CD)From HAL LEONARD CORPORATION

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COUNTRY HITS - VIOLIN PLAY-ALONG VOLUME 9 (BK/CD)From HAL LEONARD CORPORATION

(Violin Play-Along). The Violin Play-Along Series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio CD is playable on any CD player, and also enhanced so Mac & PC users can adjust the recording to any tempo without changing pitch! This volume includes the songs: Boot Scootin' Boogie * Born to Fly * Chattahoochee * Friends in Low Places * Guitars, Cadillacs * What Hurts the Most * Whose Bed Have Your Boots Been Under? * Wide Open Spaces.

  • Sales Rank: #1180024 in Books
  • Published on: 2010-01-01
  • Released on: 2009-12-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .22" w x 9.00" l, .50 pounds
  • Binding: Paperback
  • 48 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Difficult on-line purchase...
By Michael A. Beckley
Very difficult to purchase music without reviewing it. This is not only more difficult than I expected, but also payed out in a cumbersome way...sheet for violin should be available separately from accompaniment to avoid unnecessary page turning. Overall, disappointing.

0 of 0 people found the following review helpful.
Violin
By Laura
easy to follow

See all 2 customer reviews...

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