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(Piano/Vocal/Guitar Songbook). A comprehensive collection of 47 country favorites, including: Ain't Nothing 'Bout You * Bring on the Rain * Cruise * Don't Take the Girl * Don't You Wanna Stay * Every Time I Hear Your Name * Fly over States * Gunpowder & Lead * How Do You like Me Now?! * I Knew You Were Trouble. * If I Die Young * Mud on the Tires * Need You Now * Red Solo Cup * Stuck like Glue * The Thunder Rolls * Wide Open Spaces * Your Man * and more. 322 pages!

  • Sales Rank: #2901351 in Books
  • Published on: 2015-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.00" h x .73" w x 9.00" l, .0 pounds
  • Binding: Paperback
  • 322 pages

About the Author
Founded in 1947, Hal Leonard Corporation has become the worlds largest print music publisher, representing some of the greatest songwriters and artists of all time. We are proud to publish titles of interest to all musicians as well as music lovers, from songbooks and instructional titles to artist biographies and instrument price guides to books about the music industry and all the performing arts.

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0 of 0 people found the following review helpful.
Four Stars
By Don Brown
A good selection of songs.

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Jumat, 25 Februari 2011

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  • Sales Rank: #5010866 in Books
  • Published on: 2005
  • Binding: Hardcover
  • 366 pages

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Rabu, 23 Februari 2011

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Introduction to Mechatronic Design is ideal for upper level and graduate Mechatronics courses in Electrical, Computing, or Mechanical & Aerospace Engineering.

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Unlike other texts on mechatronics that focus on derivations and calculations, Introduction to Mechatronics, 1e, takes a narrative approach, emphasizing the importance of building intuition and understanding before diving into the math. The authors believe that integration is the core of mechatronics—and students must have a command of each of the domains to create the balance necessary for successful mechatronic design—and devote sections of the book to each area, including mechanical, electrical, and software disciplines, as well as a section on system design and engineering. A robust package of teaching and learning resources accompanies the book.

  • Sales Rank: #406780 in Books
  • Brand: Carryer, Edward J./ Kenny, Thomas William/ Ohline, Matt
  • Published on: 2010-12-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x 1.80" w x 8.30" l, 3.27 pounds
  • Binding: Hardcover
  • 816 pages

Review
“Very comprehensive…Well written with good HW problems.” — Larry Banta, West Virginia University

“What I love about this book is that it puts much of what we teach in one text allowing the students to study in more depth the details their projects require." — Daniel J. Block, University of Illinois

“I expect this to become the gold standard for Mechatronics classes for years to come.” — David Fisher, Rose-Hulman

“I was very impressed with the organization of the material and the level of knowledge the authors bring to each topic. I was also impressed with the concise and clear way topics are introduced and explained.” — David Fisher, Rose-Hulman

“I think that’s great! My students get an introduction to Mechatronics then have a textbook to take with them after the course that they can continue to use and learn from.” — David Fisher, Rose-Hulman

“The authors really know their stuff and offer good guidelines, rules of thumb, and advice on dealing with real electronics, actuators, and sensors. I also really enjoyed the project discussion and trying to put into words what needs to happen in a good design process!” — David Fisher, Rose-Hulman

“The best features of the proposed text are its breadth and its detailed coverage of practical electronics.” — William R. Murray, California Polytechnic State University

“The textbook is overflowing with information. There is traditional analysis, an extensive survey of current hardware (sensors, actuators, computer hardware), practical advice (do’s & don’t’s). There is a lot to assimilate with many useful chapters that contain pedagogical examples and a wealth of practical information.” — Mark Nagurka, Marquette University

“The textbook is applied and not just a theoretical product. It reflects years of hardware experience from the authors.” — Mark Nagurka, Marquette University

“This one volume includes many subjects that are part of the enterprise of mechatronics. The book has exceptionally strong coverage of microcontrollers.” — Mark Nagurka, Marquette University

About the Author

Ed Carryer is the Director of the Smart Product Design Laboratory (SPDL) in the Design Division of Mechanical Engineering at Stanford University. He is¿ currently a Consulting Professor in the Design Division of Mechanical Engineering. He received his Ph.D. degree in Mechanical Engineering from Stanford University in 1992. Prior to that, he received an M.S. in Bio-Medical Engineering from the University of Wisconsin, Madison in 1978. His B.S.E. was awarded from the Illinois Institute of Technology in 1975, where he was a member (1/3) of the first graduating class of the Education and Experience in Engineering (E 3)program.

Dr. Carryer's industrial experience varies wildly, from designing water treatment facilities for coal and nuclear power plants for Sargent & Lundy to designing the electronic controller for an Arctic Heated Glove under contract to NASA. He spent eight years in the Detroit area working in and about the auto industry. During that time he worked for Ford, GM and AMC on electronic engine control systems, predominantly for turbo-charged engines. He has an active design consultancy that has tackled such varied projects as an engine controller for an outboard motor manufacturer, an automated blood gas analyzer, and a turbo-charger boost control system for a new type of turbo-charger.

Matt Ohline is an Associate Consulting Professor in the Design Division of Mechanical Engineering at Stanford University.

Thomas Kenny is a Professor in the Mechanical Engineering department at Stanford University. Dr. Kenny received his PhD in Physics from UC Berkeley.

Dr. Kenny's research group is researching fundamental issues and applications of micromechanical structures. These devices are usually fabricated from silicon wafers using integrated circuit fabrication tools. Using these techniques, the group builds sensitive accelerometers, infrared detectors, and force-sensing cantilevers. This research has many applications, including integrated packaging, inertial navigation, fundamental force measurements, experiments on bio-molecules, device cooling, bio-analytical instruments, and small robots. Because this research field is multidisciplinary in nature, work in this group is characterized by strong collaborations with other departments, as well as with local industry.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Great, and mostly likely will continue to be
By Jordan A
This is a great overview on the electrical engineering part of mechatronics! I assume it is equally good for the mechanical and programming parts, but so far I've only focused on the electrical. I could probably give a better review at the end of the semester...

0 of 1 people found the following review helpful.
Four Stars
By Zhang Xiang
Good

1 of 8 people found the following review helpful.
The worst book I have had to buy and read
By Asha
A very poorly written piece on Mechatronics. The worst book I have had to buy and read, unfortunately.

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Jumat, 18 Februari 2011

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  • Sales Rank: #3355622 in Books
  • Published on: 1962
  • Number of items: 1
  • Binding: Hardcover

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Beginning with the release of Mario Bava's THE GIRL WHO KNEW TOO MUCH in 1963, Italian filmmakers developed and perfected their own peculiar brand of mystery-thriller known as the giallo. Named after the yellow (giallo in Italian) covers of the murder mysteries published by Mondadori, the giallo is awash in fetishistic imagery. For many fans, these films—popularized in the works by writer-director Dario Argento, whose name is synonymous with the genre, thanks to such films as THE BIRD WITH THE CRYSTAL PLUMAGE and DEEP RED—focus on stylized images of violent death: killers dressed in black stalking glamorous-looking victims through baroque architecture, literally painting the walls red with their blood. This is only one aspect of the giallo, however. With their groovy soundtracks by legendary composers like Ennio Morricone and Stelvio Cipriani and glamorous damsels-in-distress like Edwige Fenech, Rosalba Neri and Asia Argento, these films offer a heady mixture of sex, horror and suspense; at their best, they took excess to a hypnotic level. Troy Howarth, the author of THE HAUNTED WORLD OF MARIO BAVA and the co-author of the up-coming THE TOME OF TERROR series, examines the genre from its inception through its inevitable decline. Covering everything from popular fan favorites by the likes of Mario Bava, Lucio Fulci and Dario Argento to lesser-known gems by Cesare Canevari, Massimo Dallamano and Paolo Cavara as well as the worst of the worst by the least inspired of hacks, SO DEADLY, SO PERVERSE provides an in-depth examination of a genre that has too often been marginalized in other studies of the horror film and the thriller. In addition to reviews of every giallo made between 1963 and 2013, this two-part study of the giallo—with volume two (covering 1974 onwards) coming later in the year—is also lavishly illustrated with rare and colorful stills and poster art.

  • Sales Rank: #524674 in Books
  • Published on: 2015-01-30
  • Original language: English
  • Dimensions: 11.00" h x .55" w x 8.50" l,
  • Binding: Paperback
  • 234 pages

Most helpful customer reviews

17 of 17 people found the following review helpful.
Excellent Guide To An Underrated Genre
By William Amazzini
Well, Euro fans, it's finally here. Mr. Howarth has given us Volume 1 of an excellent guide to the Italian Giallo covering the genre from its beginning in 1963 to the height of its glory in 1973. Each film is grouped together by year with full credits, a brief synopsis before the films review , information on the DVD-Blu-Ray releases of each film and important anecdotes on major actors and technicians for each title. The book is also generously illustrated with rare photos and color blowups of the movie posters and fotobustas of each film. What enhances the book is the user friendly manner in which the book is presented by giving people who are not familiar with the genre an in depth look of each title. I was amazed at how many films I have still not viewed, some of which have not seen the light of day since their release dates. The book begins with a nice intro by Giallo screenwriter Ernesto Gastaldi on what constitutes a Gialo film, an excellent chapter by writer Roberto Curti (who is releasing a book on the Italian Gothic Horror Film this summer) on the Giallo from the pages of the paperback novellas to the screen, and a chapter of Giallo prototypes and some films which resemble the genre such as the German Krimi's and some which did not quite make the grade. The book is a revelation for fans and scholars alike and is highly recommended. I can't wait for volume two which will cover the years 1974 thru 2013 and will make this collection a wonderful Encyclopedia of one of the most underrated of Euro Genres. This seems to be the year for the Euro Horror Film finally getting its due with releases of these two volumes, Mr. Curti's book mentioned above and also his take on the Italian superhero genre and Mr. Stephen Thrower's book on the cinema of Director Jess Franco coming in May. Who would of thought? Bravo, Mr. Howarth, on a job well done.

11 of 12 people found the following review helpful.
The book giallo fans have been crying out for
By M. R. Mackenzie
The first of two tomes charting the giallo film from its inception to the present day, Volume 1 of Troy Howarth's SO DEADLY, SO PERVERSE: 50 YEARS OF ITALIAN GIALLO FILMS is the sort of book fans of the giallo have been crying out for. Its spiritual predecessor is arguably Adrian Luther Smith's excellent (if now surpassed) BLOOD AND BLACK LACE, and indeed structurally it owes a clear debt to that earlier book, but Howarth goes considerably further and into far more detail than that pioneering work.

Covering the first 20 years of the giallo film's lifespan, 1963 to 1973, Volume 1 begins with the expected introductions (provided by veteran giallo screenwriter Ernesto Gastaldi) and attempts to define that most ambiguous of genres, before launching into an examination of early prototypical gialli, films with giallo elements but which don't quite make the grade as "true" gialli, and the literary gialli from which the filmic movement derives its name but to which it bears only a passing resemblance. This latter chapter, written by film historian Roberto Curti, is particularly insightful and breaks genuinely new ground. It provides the book with a unique selling point, charting an aspect of the giallo's development that hasn't been adequately explored elsewhere, since English-speaking authors lack the context necessary to unpick it.

The "meat and potatoes" of the book, however, is the 190 pages' worth of film reviews, cataloguing and appraising every known giallo to have been produced between 1963 and 1973. This section is truly exhaustive, digging up a number of titles I'd personally never even heard of, and even one or two that are now believed to be lost to the ages. For each review, the structure is the same: Howarth provides the main cast and crew credits, a brief (spoiler-free) synopsis and a more detailed review, concluding with a discussion of the careers of some of the more significant players on both sides of the camera. The reviews are insightful, in-depth and well-observed. Howarth isn't afraid to make it clear when a particular film isn't up to scratch (and says one or two scathing things about some of the, shall we say, less outstanding actors and directors associated with the movement), but he's also fair, pointing out the individual moments of pleasure that can be found in even the schlockiest and most ineptly made of giallo (and, let's be honest, there are quite a few which fit that category). The films of "big beasts" like Argento, Fulci, Bava and Martino understandably get the lion's share of the praise, but little-known gems also get their moment in the spotlight, including the likes of Fernando Di Leo's NAKED VIOLENCE and Damiano Damiani's A RATHER COMPLICATED GIRL.

It's worth pointing out that Howarth omits certain titles that some readers might expect to be included since he doesn't consider them to be part of the movement. This is unavoidable, since "giallo" is a vague term and much disagreement exists as to its precise parameters. Personally, I would have included Aldo Lado's SHORT NIGHT OF THE GLASS DOLLS (omitted here) and left out the likes of the western/giallo hybrid RINGO, IT'S MASSACRE TIME, but such is the beauty of a movement that, like film noir, is easier to recognise than to define (the "I know it when I see it" principle).

Any flaws are minor and don't impact substantially on the overwhelmingly positive qualities of the book; however, I feel that they should be acknowledged for completeness' sake. These are largely structural, stemming from the decision to separate the films by year of release and order them alphabetically within each year. This results in some slightly odd moments in that individual reviews often "refer forward" to another film that was actually released before the one currently being discussed -- for instance, we read about Sergio Martino's second giallo, THE CASE OF THE SCORPION'S TAIL, before his first, THE STRANGE VICE OF MRS. WARDH (both 1971), which is slightly confusing given the extent to which the latter set the template for Martino's subsequent gialli. That's perhaps the downside of attempting to read a reference tome like this from cover to cover. However, the lack of any page references in the index of titles at the end, and the fact that production dates aren't provided in the reviews themselves (the year is listed only once, at the start of each "section"), makes it difficult to dip in and out.

But these are minor organisational quibbles. In his foreword, Howarth acknowledges that he didn't set out to write the be-all-and-end-all book about the giallo, and while it doesn't replace the likes of Mikel Koven's excellent LA DOLCE MORTE (which addresses a different audience and serves a different purpose), SO DEADLY, SO PERVERSE feels entirely at home among such lofty company. Experienced giallo aficionados and those new to the genre alike will want to pick this up without delay, and get their pre-orders in for Volume 2, which promises to explore the rather more sporadic output of the last 40 years.

10 of 10 people found the following review helpful.
So Deadly, So Perverse, So Buy It!
By Brad Hogue
Troy Howarth's So Deadly, So Perverse is a great addition to the world of giallo cinema writing. I've seen a slew of giallo films and I can definitely say that the book is very useful and informative for the seasoned veteran and beginner alike. Mr. Howarth spends some time going over the origins of the genre before jumping into thoughtful reviews. He gives some background into the major players of each film and perhaps even more importantly does not spoil the films. That bears repeating: He does NOT spoil the films. I've actually been burned by some books spoiling who the killer is. No need to worry here. Haven't seen The Black Belly Of The Tarantula? Fear not and read on in confidence that Mr. Howarth will not reveal the identity of the killer. Lots of photos, great spoiler free reviews, and a love of the genre come through in this book. I look forward to volume 2. Highly recommended.

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Rabu, 09 Februari 2011

[V404.Ebook] Ebook Download Front Office Operations & Management, by Ahmed Ismail

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Front Office Operations & Management, by Ahmed Ismail

For Hotel Management courses, and internships, this text introduces concepts of organization, communication, ethics and policy within a hotel. The primary focus is the front office, housekeeping, reservations and night audit departments. Other departments are discussed to provide and understanding of how these departments relate to the front office and how they operate to enhance the guest experience. An introduction of basic analyses, techniques and trends both in policy and technology are reviewed as they relate to management and the guest. The text gives students a "real world" understanding of the hotel industry balancing its past, present and future. This text portrays the nature and operation of hotels as they exist today. It reveals the inner workings of a hotel in a way that both promotes learning and interest for the students, preparing them for what to expect in the current and future hotel market. The Property Management System has dramatically changed hotel operations, therefore extensive time has been devoted to covering this technology. Additional chapters feature analysis of the physical makeup of hotels, yield management, and operational techniques. Performance measurements and analysis of what makes a truly successful hotel are discussed in detail. Finally, because hotel management is and will always be about people, chapters are devoted to both the hotel guest and hotel employee. The arrival chronology is discussed from arrival to departure.

  • Sales Rank: #1035202 in Books
  • Brand: Brand: Cengage Learning
  • Published on: 2001-12-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .87" w x 8.00" l, 1.40 pounds
  • Binding: Paperback
  • 384 pages
Features
  • Used Book in Good Condition

Review
Chapter 1: Hotels- Past and Present. Chapter 2: Hotel Classifications. Chapter 3: The Hotel Guest. Chapter 4: The Guest Room. Chapter 5: Hotel Organization. Chapter 6: Front Office Overview. Chapter 7: Room Rate Structure. Chapter 8: The Property Management System. Chapter 9: Guest Accounting. Chapter 10: Night Audit. Chapter 11: Housekeeping. Chapter 12: Reservations and Forecasting. Chapter 13: Measuring Hotel Performance. Chapter 14: Guest Service.

About the Author
Ahmed Ismail holds a B.A in Management from Adolphus College. His experiences in the hospitality industry inlcude Hotel Sales and Operations, Front Desk Supervision and Accounting Supervision. He has received numerous industry awards, including the NCAA Contribution Award for Hospitality, and the Bill Tiefel Hospitality Award, which he received twice.

Most helpful customer reviews

0 of 0 people found the following review helpful.
good book, needs color
By David R. Gustafson
This is a good book for Hotel operations and management, but I liked, "Check-in Check-out" better. This book is a soft cover and does not have any color photos. "Front Office" has some good content, but the book could be improved with added color.

0 of 0 people found the following review helpful.
Book is good, thanks
By Cwright
Thank you for the book, the shipping was so fast and made it before my classes started. Book is in perfect condition!

0 of 0 people found the following review helpful.
all you need to run a hotel
By RJ from Gardner
I am pretty familair with management and this book covered pretty much everything there was to run a succesfull hotel.

[...]

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Minggu, 06 Februari 2011

[V298.Ebook] Ebook G.I. Joe: A Real American Hero Vol. 1, by Larry Hama

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G.I. Joe: A Real American Hero Vol. 1, by Larry Hama

This trade collects #155.5 thru #160.
The original G.I. JOE comic is back - and so is Larry Hama! After the Joes were disbanded, COBRA made their move - with no G.I. JOE to stop them! The Reign of COBRA begins!

  • Sales Rank: #345679 in eBooks
  • Published on: 2011-02-09
  • Released on: 2012-05-16
  • Format: Kindle eBook

Most helpful customer reviews

12 of 12 people found the following review helpful.
Larry Hama returns to his original series with all-new stories!
By Ernest Robertson
From 1982 to 1994 Larry Hama wrote the legendary "G.I. Joe: A Real American Hero!" series published by Marvel. The series stopped with #155. (These issues are currently being reprinted in the "Classic G.I. Joe" trades by IDW.)

Fast-forward to May 2010. IDW released #155.5 as a freebie for "Free Comic Book Day." Here Larry Hama picked up the story right where he had left off over 15 years earlier. In July 2010 the series officially reopened with #156, and has been going strong with new monthly installments since. Same writer, same continuity, same issue numbering - this is the definitive continuation of the classic Marvel run!

This trade collects #155.5 thru #160, and is called "volume 1" because these are the first issues published by IDW that continue the original Marvel story.

The Joe team has been disbanded, and Cobra attempts to hunt some of the key members (Hawk, Duke, Snake-Eyes, Scarlett, Roadblock, Stalker, Mainframe, Rock N Roll) down. The Joes reunite and strike back. Great stuff!

I gave this volume 4 stars because #157 and #160 drag a little and the art isn't the best I've seen for G.I. Joe. I don't mean this as a slam against Augustin Padilla, but I just feel that his style isn't right for this genre. (However, starting in #161 SL Gallant took over the art chores and his work is PERFECT. His amazing work will be featured in the next trade, but sadly not in this one.) Despite my complaints this volume is over all a total blast to read. Nobody writes the Joes like Hama!

For #156 and forward each issue has been printed with three cover variations, one of them being a sketch by Larry Hama. (The Hama sketch covers are difficult to find.) This trade features an excellent cover gallery in the back where we get full page reproductions of all three covers for #156 - #160. Very cool - especially the Hama sketch covers.

To have Larry Hama back on his original Marvel story-line is a dream come true! YO JOE!

5 of 5 people found the following review helpful.
A refreshing update to a classic tale
By Eugene M. Roby
I have recently started to collect the classic GI Joe comics from the 1980's run. I recommend these stories to anyone reading this review. A year or two ago, IDW (the current publsher of the GI Joe comics) asked Larry Hama, the writer and part-time illustrator of the classic series, to come back and publish new stories set in the GI joe universe of the classic comics,as a result we got GI Joe a Real American Hero.

This is the first volume of this new series, and it kicks it off pretty well. After reading this volume I am going to be collecting them all as they come out.

In my opinion, GI Joe A Real American Hero, is the perfect blend of classic 1980's comic book writing and modern art. It is great to see a modern comic book story with all the classic Joes just the way I remember them when I was a kid.

I introduced my 11 year old son, to both the classic series, and this relaunch, and he likes the relaunch better. I think this new series does a great job of introducing GI Joe to a new generation, without compromising the integrity of these characters.

In short this series does a great job of bridging the gap between 1986 and 2012. For a GI Joe fan, this would be my recommendation, if you were limited to reading only one of the modern era GI Joe comics. Well, now you know, and knowing is half the battle. Yo Joe!

7 of 9 people found the following review helpful.
Maybe you can't go home again
By Kid Kyoto
I was over the moon when I heard that Larry Hama was returning to GI Joe and picking off exactly where he left off in the 1990s. His GI Joe run from the 80s and 90s is one of my favorites of all time and I've been enjoying the IDW reprints.

I know this opinion won't be popular but the first volume falls far short of the original run.

The premise is great, after Cobra stages terrorist attacks the U.S. declares martial law and hires 'security contractors' like Arbco Systems and Coordinated Order By Righteous Americans (one guess who they really are) to keep the peace. It's a brilliant combination of right wing and left wing paranoia and hands Cobra their greatest victory yet. Soon Cobra troopers in full uniform are shooting people in the streets.

But the execution is just sloppy. In the first few pages we have General Hawk shooting a policeman in the face. Sure he's a Cobra-controlled cop, but still it's a distasteful way to start. Later Roadblock hacks up several government agents (yeah, yeah, Cobra-loyal agents) with a meat cleaver. It's implied that Stalker tortured a Cobra trooper off-camera. Everything feels just too grim and dark, and not at all fun.

And then the interesting scenario is wrapped up in just a few pages with no real impact.

Agustin Padilla's art is also ill suited for Hama's usual stories. He often draws the Joes superhero-style standing in the open charging right into enemy fire. Other artists drew them more like real-world soldiers, taking cover, choosing their shots carefully. At no point does it feel like the Joes are in danger, their main complaint is running low on ammo.

If this was the only book I bought I would have dropped the series. Fortunately with book 2 things pick up nicely. Hama rediscovers his sense of humor, we see some of the gadgets and vehicles come back and the art improves nicely. Book 1 is not bad but really fell short of the original run.

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